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A word from the Chairman

A few words for our chairman

London Salon

Last meeting we were treated to a showing of the 2024 London salon. This year it was great to see a wide and varied style of photography. From the arty to the gritty, and thought provoking images. All eloquently commented on by 

Members Evening

The next meeting will be a members evening hosted by our chair David Higton.

Topics covered will include the following,

Mentoring becomes interest groups launch.

How to make a 'zine

Bird photography

Article By Bill

 

Using old lenses - some thoughts if you wish to try it.

 

At last weeks meeting, during Tim Gamble’s talk on Light Painting he mentioned the use of old manual lenses on his Sony digital camera. Fitted via an adapter, he mentioned one lens in particular. 

This was the 58mm f2 Helios 44-2, its an old Russian lens (now referred to as FSU - Former Soviet Union) and many may remember it as one of the standard lenses of the Zenit (Or Zenith) E camera which was at the budget end of the market  in the mid-late 1960’s.

The original lens ( a copy of the pre war German Carl Zeiss Jena Biotar whose design was taken by the Soviets as part of the WW2 war reparations)  and later variations were sold in their millions and were made in several different factories in the FSU. This led to variations in quality, much has been written about this on the internet. I personally have used several over the years and never had one that could not produce an acceptable image.

The lens sells on average on eBay between £20-60 and can sometimes be found cheaper (strangely often when sold with a Zenith E Body) and partly because of the price they are very popular, their two ring preset aperture system makes them a favourite with video users  as there are no noisy click stops to spoil the sound.

The Helios 44 series lenses are well known for their Bokeh. In his talk Tim employed the well known technique of reversing the front element of the lens. This produces a unique bokeh , examples of which can be found on line. The simple construction of the lens makes it fairly easy to reverse the element and again instructions can be found on line. Special tools needed can be bought quite cheaply or improvised. It is something I have not personally done despite having dismantled many lenses over the years, and yes, they did not all go back together!

The attached photos show the lens on a Zenith E camera and a couple of comparison samples from different factories. These are denoted by the small symbols on the lens ring. 

Generally, the first two digits of the serial number on FSU cameras and lenses denote the year of manufacture. 

 

Bill Salkeld

 

Window on Lindow Art Trail Photography Exhibition – call for entries

 

Many of you will have experienced the Lindow Moss Art Trail and taken photographs of the artworks in situ.  These will be in place until the beginning of November.

Discover Lindow are planning an exhibition of photographs which will be taking place from the 22 April until 23 May 2025 at the Guild, and are inviting photographers to submit up to 10 images (dpi or prints) to be considered for the exhibition.  The closing date for submission is 16:00 on Monday 10 January 2025.

For more detailed information click:  Window on Lindow Art Trail Photography Exhibition

If you have any questions, please ask me.

Chris Hills

Exhibitions in London

 

If anyone’s planning to visit London there are, at the moment, two interesting exhibitions at the National Maritime Museum in Greenwich.

Women of the RNLI - Celebrating 200 years of lifesaving at sea, with photos by Jack Lowe who talked to us a couple of years ago about his RNLI project using the wet plate collodion process.  His large format camera is also on display.

Astronomy Photographer of the Year – winning pictures from this competition.  The pictures are very well presented as backlit transparencies.

Unusually for London, both exhibitions are free to enter this year, because the NMM is undergoing renovation.  It doesn’t affect the exhibitions at all, but you have to find your way in via the café at the rear (park side) of the building.

Thanks to Michael Hilton for this article

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